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About Erik
Erik Lutz is an American composer and multi-instrumentalist based in Los Angeles with over 15 years of experience composing for film, television, video games, and commercials.
Erik’s extensive credits include writing additional music for numerous TV shows including; Hulu’s CALL HER ALEX; Amazon’s THE BETTER SISTER; Hulu’s CLASS OF ‘09; AMC’s THE MAYFAIR WITCHES; Netflix’s THE DEVIL IN OHIO; Peacock’s THE LOST SYMBOL; Netflix’s AWAY; Sc-Fy’s THE MAGICIANS; Netflix’s UNBELIEVABLE; CW’s IN THE DARK; CW’s CHARMED; Netflix’s SHE-RA AND THE PRINCESS OF POWER; and TNT’s THE LAST SHIP.
In addition to television, Erik contributed additional music for Neon’s IMMACULATE; Sony Pictures’ DUMB MONEY; Blumhouse’s DELIRIUM; Vertical Entertainment’s BEYOND SKYLINE; Universal’s KILLING HASSELHOFF; Universal’s THE PURGE ELECTION YEAR; and Universal’s THE PURGE ANARCHY.
Erik has also contributed music to several AAA video games, including Far Cry 6 DLC INSANITY, CONTROL, and COLLAPSE; Sony Bend’s DAYS GONE; and BACK FOR BLOOD.
As a solo composer, Erik has composed music for the documentaries THE GAMBLE HOUSE, directed by Don Hahn, and LUTHER: THE LIFE AND LEGACY OF THE GERMAN REFORMER, as well as the feature film CAMP, along with tens of short films.
Erik has also composed music for commercials, working with brands including: JACK ARCHER, ADIDAS, CANADA GOOSE, CHEVY, AT&T, CARLING, AND DR. SCHOLL’S.
Erik has worked alongside and collaborated with several renowned composers including: Michael Levine, Todd Haberman, Nathan Whitehead, Joe Trapanese, Peter Bateman, Sunna Wehrmeijer, and Will Bates, who he recently Co-composed the scores of two feature films with, BIRTHRITE, directed by Ross Partridge, and THE LOW END THEORY, directed by Franciso Ordonez.
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